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...and Oceans

The Dynamic Gallery Of Thought

(c)(p)1998 Season Of Mist

Review by Neil St.Laurent

Thanks to the band for the Cassette


It is possible that the atmospheric melody that starts out most black metal albums these days can indicate just as much about the band by being absent as it can by being present. With that ...and Oceans, while not exactly the most variant black metal outfit, are definitely somewhat different from the rest.

The immediate distinction that this Finnish band has from so many of the others is the capacity in which the keyboard is used. Varying from the strict use of the synth for atmosphere, ...and Oceans attempts to add some lead melody to the music with the keyboards, which tends to have their music approach somewhat the Bishop Of Hexen style. It is then somewhat unfortunate that the guitar riffing doesn't always blend well with the flowing synth, of course it can just as easily be said that the synth compensates well for weaker guitar riffs, and at times the guitars just turn themselves down so that only the synth is at a point of attention.

Beyond the keyboards, "The Dynamic Gallery Of Thought" is truly just a fairly average black metal release. Although nothing is overly high in pitch, including vocals, and there isn't always that unrelenting nonsense we've come to expect, it is just in the end, typical black metal. Of course that may not be entirely fair, for to many people it is not that sound alone that drives them away, but the endless continuation of it, and ...and Oceans has enough keyboard driven components to break up the standard fare, which in some ways actually makes that standard fare much more listenable.

A special note has to be made about the vocals, their presence seems almost entirely unnecessary. The music is fine without them, but even more interestingly the vocals don't really alter the overall quality of the music whatsoever, good or bad. The vocals are 'just there'.

...and Oceans has plenty to offer as a band, and despite most of their music being fairly standard black metal, the elegant use of keyboards to provide melodic atmosphere (as noted before, much akin to Bishop Of Hexen's dark ballroom style) manage to enrich all the music so that the entire album is listenable. Breaking apart the album for the purpose of review does bring to surface many negatives, but much of those have been intentionally omitted as this album draws its quality from an overall sound, not individual components. ...and Oceans has something to offer any extreme music listener.

Contact:

Email: jani.martikkala@icl.fi
Web: http://www.grave.com/~mega/AO/

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Tracks Of Creation May / June 1998
Copyright ©1998 Borcek
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